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  COMMENTARY ON ARISTOTLE’S NICOMACHEAN ETHICS: BOOK I, 10

(For the nature of the sections see the “General Introduction”, here.)

Abbreviations: Ar. = Aristotle, AQ= Aquinas, NE = Nicomachean Ethics, EE= Eudemian Ethics

NICOMACHEAN ETHICS

BOOK I

CHAPTER TEN

“Should one, then, not deem happy any human being for so long as he is alive; but must one look instead, as Solon has it, to his end? But if it indeed it is necessary to posit such a thesis, then is in fact a person happy when he is dead? Or is this, at least, altogether strange, specially for us who say that happiness is a certain activity? But if we do not say that the dead person is happy —and this is not what Solon means either —- but say rather than someone might safely deem a human being blessed only once he is already removed from bad things and misfortunes, this too admits of some dispute. For it is held that both something bad and something good can befall the dead person, if in fact they can befall the living person who does not perceive it —-for example, honors and dishonors, and the faring well or the misfortunes of his offspring and descendants generally.

But these things too are perplexing; for someone who has lived blessedly until old age and come to this end accordingly, it is possible that many reversals may occur involving his descendants just as some of these descendants may be good and attain the life that accords with their merit, but others the contrary. Yet it is clear that it is possible for these descendants to be of varying degrees of remove from their ancestors. Indeed,  it would be strange if even the dead person should share in the reversals and become now happy, now wretched again. But it would be strange too if nothing of the affairs of the descendants should reach the ancestors, not even for a certain time.

But one must return to the perplexity previously mentioned, for perhaps what is now being sought might also be contemplated on the basis of it. If indeed one does have to see a person´s end and at that time deem each person blessed, not as being blessed [now] but as having been such previously —how is this not strange if, when he is happy, what belongs to him will not be truly attributed to him? [This strange consequence] arises on account of our wish not to call the living happy, given the reversals that may happen, and of our supposition that happiness is something lasting and by no means easily subject to reversals, while fortunes often revolve for the same people. For it is clear that if we should follow someone’s fortunes, we will often say that the same person is happy and then again wretched, declaring that the happy person is a sort of chameleon and on unsound footing.

Or is it not at all correct to follow someone’s fortunes? For it is not in these that doing well or badly consists. Rather, human life requires these fortunes in addition, just as we said; yet it is these activities in accord with virtue that have authoritative control over happiness, and the contrary activities on the contrary.

The perplexity just now raised also bears witness to the argument, since in none of the human works is anything so secure as what pertains to the activities that accord with virtue. For such activities seem to be more lasting than even the sciences; and the most honored of them seem to be more lasting, because those who are blessed live out their lives engaged, to the greatest degree and most continuously, in these activities. This seems to be the cause of our not forgetting such activities. Indeed, what is being sought will be available to the happy person, and he will be such throughout life. For he will always, or most of all act on and contemplate what accords with virtue, and he —- and least he who is truly good and “four-square, without blame” — he will bear fortunes altogether nobly and suitably in every way.

Now, many things occur by chance, and they differ in how great or small they are.  The small instances of good fortune, and similarly of its opposite, clearly do not tip the balance of one´s life, whereas the great and numerous ones that occur will, make life more blessed (since these naturally help adorn life, and dealing with them is noble and serious). But those fortunes that turn out in the contrary way restrict and even ruin one´s blessedness, for they both inflict pain and impede many activities. Nevertheless, even in the midst of these, nobility shines through, whenever someone bears up calmly under many misfortunes, not because of any insensitivity to pain but because he is well-born and great souled.

And if the activities have authoritative control over life, just as we said, then no one who is blessed would become wretched, since he will never do things that are hateful and base. For we suppose that someone who is truly good and sensible bears up under all fortunes in a becoming way and always does what is noblest given the circumstances, just as a good general makes use, with the greatest military skill, of the army he has and a shoemaker makes the most beautiful shoe out of leather given him. It holds in same manner with all the other experts as well. And if this is so, then the happy person would never become wretched —nor indeed would he be blessed, it is true, if he encounters the fortunes of Priam. He would not be unstable and subject to reversals either, for he will not be easily moved from happiness, and then not by any random misfortunes but only great and numerous ones. And as a result of such things he would not become happy again in a short time; but, if in fact he does, he will do so in the completion of some lengthy time during which he comes to attain great and noble things.

What, then, prevents one from calling happy someone who is active in accord with complete virtue and who is adequately equipped with external goods, not for any chance time but in a complete life? Or must one posit in addition that he will both live in this way and meet his end accordingly —- since the future is in immanifest to us, and we posit happiness, wholly and in every way, as an end and as complete? And if this is so, we will say that those among the living who have and will have available to them the things stated are blessed —-but blessed human beings.

Let what pertains to these things too be defined up to this point.”

(NE, 1100a10-1101a22; Aristotle´s Nicomachean Ethics, Bartlett, Robert, and Collins, Susan; University of Chicago, Chicago, 2011)

I. PRIVATE PUZZLES
1) What are we to make of this striking subsection? What is its argumentative “spirit”? Isn’t it in its ENTIRETY extremely odd and perplexing? For instance, isn’t it surprising to find Ar. begin AND end a subsection by asking so many questions himself? Is he pushing us in this direction, after having set the “rules of the game” by means of his three crucial previous digressions? Could he be starting to TEACH us to puzzle? For isn’t a QUESTION, rather more active than a STATEMENT? And isn’t Aristotelian happiness a kind of ACTIVITY? Doesn’t a QUESTION allow us the freedom to, in the end, think for ourselves? In similar fashion, didn’t Socrates question so that he did NOT have to write? Isn’t the QUESTION, the foundation of classical philosophical dialectics (and thus conceived in a crucially different sense than that found in the ontological structure of Heidegger’s Dasein and its capacity to question; Introduction to Being and Time)? But WHAT are we puzzling about here that makes this subsection so STRANGE? Isn’t it about the most difficult of topics, namely our temporal finitude and ultimate DEATH? Indeed, how CAN we be happy as humans if we are mortal and MUST die? In this respect, won’t this subsection turn out to be KEY for Aristotelians intent on challenging the APOLITICAL Heideggerian conception of finitude? And in this regard, why are we here SO concerned with the temporality (QUANTITY) of our lives (somehow reaching old age unscathed), rather than with the QUALITY of our lives? For, isn’t the WHOLE ethical point “HOW we live our lives”, rather then “HOW LONG we live our lives”? And, don’t TYRANTS live really really long (see below)? Is this part of the troubling political fact surrounding the question of temporality and finitude (pace Heidegger´s own dramatically apolitical notion of time in Being and Time)? Just recently, didn’t Mubarak outlast many? And, ethically speaking, surely HITLER outlived many much more righteous men, didn’t he? So, under this perplexing view, are we to count a life as worthwhile ONLY until we reach 40 or 50 or 60 or 90 (like Abraham who only until THAT advanced age was given forth his promise)? Or put yet another way, were previous cultures less happy because their average life expectancy was much less then ours? Are WE moderns happier because “we” —–well, really only those in developed countries—- DO in fact last much longer (even if connected to all sorts of medical machines)? Haven’t we, ironically, simply given greater chance to chance to act upon us as Ar. had pointed out in our previous commentary?

But returning to the tone/spirit of the subsection, isn’t it ALL kind of spooky? I mean, aren’t we sort of dealing with communications with, or at the very least, referring to the dead (albeit, close kin in particular) and similar issues? And that it IS so, is shown in the even STRANGER subsection XI (“Do the fortunes of the living affect the dead”) which follows immediately? Doesn’t Ostwald allow us to see how far he misses precisely the tone of the whole passage in his footnote 44 and his reference to Burnet´s interpretation of Aristotle? But, how are WE, specially we moderns born out of the secular transfiguration, to take this in (see quote Professor Taylor below)? For surely there seems to be not a single expression of irony or laughter in Ar.’s presentation, is there? Could we not say, that indeed it is HERE, more than anywhere else in the NE, that we actually find one of the most valuable and explicit examples of Ar.’s philosophical generosity towards the life of the noblest of citizens (as is clear by the example given here of Solon)? For isn’t Ar. truly going out of his way in his attentive respect for the beliefs held by traditional leading citizens and THEIR concerns about temporality and happiness? How so? Because isn’t the concern for temporality of great IMPORT to the serious citizens of a political community? Isn’t it the case that for THEM the family, specially, is the locus of an endurance and immortality beyond the ephemeral appearance of any of its individual members (contrast, Diotima´s “The Ladder of Love” speech in Plato’s Symposium)? For wouldn’t a Solon ask: what of a long life WITHOUT a family? What could that be FOR? Mustn’t the individual see beyond him/herself in order to truly achieve happiness?  And moreover, aren’t great leaders, the greatest of leaders, truly thus remembered by all for the SACRIFICES they make in dedicating themselves whole-heartedly to the PUBLIC good? Isn’t this PRECISELY why Solon, the lawgiver, is remembered till this day even beyond the boundaries of his native Athens?  And aren’t those who give up their lives for US in battle, in the crucial defense of our divergent REGIMES, thus remembered as well for exemplifying the virtue of courage by giving themselves for a greater cause than mere life? Isn’t this, in part, why Ar., as we shall see, also refers to Simonides the poet in this very subsection by referencing his appearance in Plato´s dialogue Protagoras (which deals precisely with the question of courage and sophistry; 339b)? For isn’t Simonides famous for his elegies to the fallen dead in the greatest of Greek battles, the most famous being that written as remembrance of the Battle at Thermopylae, and which reads:

 

Ὦ ξεῖν’, ἀγγέλλειν Λακεδαιμονίοις ὅτι τῇδε

κείμεθα, τοῖς κείνων ῥήμασι πειθόμενοι.

“Stranger, announce to the Spartans that here

We lie, having fulfilled their orders.”

(see below)? And we know quite well that elegies and eulogies are far from being the same, don’t we? Actually, in terms of eudaimonia, don’t they stand at extremes?

And so that we may be believed, isn’t the example of Solon here central in THIS regard? Don’t we find precisely THIS concern in Herodotus´s account of Solon —made reference to by Ar. himself? Doesn’t Herodotus allow us to share in the context of Solon’s words? For, we come to know how Solon, in one of his “voyages” outside Athens, came to be questioned/confronted by a tyrant named Croesus? And, doesn’t Croesus indeed know that Solon´s international fame was such as to be considered one of the Seven Sages of Antiquity? But, what does the Tyrant ask in relation to the topic of the NE? Isn’t the question precisely that of the NE as a whole? Doesn’t the TYRANT ask WHO is the happiest human known to be so by Solon himself? And, before dwelling more intimately in the dialogue that ensues between law-giver and TYRANT, mustn’t we mention also that we see in Plutarch’s “Life of Solon” the radically opposite un-Aristotelian tone and sense of fundamental respect by a philosopher towards traditional concerns and beliefs? Don’t we have to contrast here Ar.´s way of proceeding prudently, with Thales outright (effective, yes), but shocking (mocking?) “unveiling” of Solon’s beliefs as regards the possibility of a serious interconnection between one´s  having a family and reaching the highest human happiness available to us?  Isn’t Thales’s’ trick truly outrageous from a much more moderate Aristotelian perspective, namely telling Solon that one of his children has DIED, when in fact it is simply a TEST:

“Thus every answer heightened Solon’s fears, and at last, in great distress of soul, he told his name to the stranger and asked him if it was Solon’s son that was dead. The man said it was; whereupon Solon began to beat his head and to do and say everything else that betokens a transport of grief. But Thales took him by the hand and said, with a smile, “This it is, O Solon, which keeps me from marriage and the getting of children; it overwhelms even thee, who art the most stout-hearted of men. But be not dismayed at this story, for it is not true.”

(my emphasis; p. 419; http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Lives/Solon*.html; not to mention Thales’s own inconsistencies on the topic.)

Isn’t this example, in part, what makes us clear as to why Thales is considered a Pre-Socratic? For didn’t’ the Socratic revolution, as told to us by Cicero, BRING philosophy back to “earth” via its political concerns? And in parallel fashion, don’t we see Ar. living up to the presuppositions of the founder of Political Philosophy, Socrates, who already knew of his Second Voyage as the KEY to a certain departure from philosophers such as Thales and Anaxagoras? Moreover, leaving aside the fact that a similar “outrageous” test appears as well in the Bible (young Isaacs divinely commanded sacrifice by Abraham at the age of 90+!), don’t we sense as we read this subsection that is it specially the spoudaios who would find Thales’s un-Aristotelian attitude quite “distasteful”, to put it mildly? Or put yet another way, in striking relation to the beginning of Plato’s Republic, don’t we find here Ar.’s bowing to elder citizens such as Cephalus —whose name actually means “head”, as in the expression, “head of the family”—– rather than seeking their direct questioning? And in this regard, don’t we need also recall that THIS more prudential tone is precisely the tone set by the elder Plato in his much more mature, and politically realistic, dialogue, The Laws? For isn’t THAT political dialogue undertaken by a stranger (obviously Socrates, though it is striking that Plato feels the need to cover up such obviousness), and two elder citizens who are quite advanced in their lives and thus closer to death? And isn’t this TONE, that which characterizes the forgotten yet masterful work of Xenophon? Are we surprised then NOT to find Xenophon being read in current Academia?

(more…)

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Filosofía política clásica; el modelo socrático y aristotélico como respuesta a las encrucijadas modernas.

El interés principal para esta propuesta de investigación ——como aspirante a su departamento——- es la de hacer una defensa profunda de lo que representa la filosofía política clásica como posible respuesta a la actual crisis del liberalismo moderno occidental. Dicha investigación se enfrentaría conceptualmente a los defensores del proyecto de la modernidad que buscan las condiciones universales para la defensa de nuestras democracias en una teoría comunicativa (Habermas), y a aquellas posturas que buscan hacer explícitas las condiciones fundacionales imaginarias e hipotéticas para una teoría de la justicia (Rawls). Por otra parte, aunque esta investigación ve la importancia del serio y profundo cuestionamiento radical a la razón moderna que plantean las obras de Nietzsche/Heidegger ——–que en su conjunto incluso llegan a cuestionar el proyecto occidental de racionalidad política fundado originariamente por Sócrates—– esta considera que la falta de una reflexión política sostenida permite a los neo-nietzscheanos post-modernistas (Foucault, Derrida) una ilusoria victoria conceptual que permanece incompleta, que es imprudente (en el sentido Aristotélico de phronesis), y que por ende es altamente peligrosa para la salud general de la comunidad política. En contraposición, afirmamos que es en la obra ético-política de Aristóteles que se da la máxima expresión de lo que representa la filosofía política clásica como contrapropuesta. (1)

Dejando de lado las múltiples interpretaciones que puedan haber surgido de Aristóteles, lo cierto es que al centro de la argumentación detrás de esta investigación radica una lectura que se funda en el pensamiento de Leo Strauss (y en particular, de su estudiante Thomas Pangle). En general el reto neo-aristotélico se ve enmarcado dentro de una tradición aún más amplia que se puede comprender hoy en día como la del “movimiento socrático”. Este movimiento de retorno retoma con seriedad el evento socrático ejemplar, a saber, el de la fundación de la reflexión filosófica de lo político por parte de Sócrates. Comprenden ellos que en efecto hay un segundo Sócrates que se ha distanciado de las presuposiciones apolíticas de los pre-socráticos, presuposiciones que llegaron a conformar la postura conceptual del primer Sócrates interesado exclusivamente en la pregunta por la naturaleza (physis). Esto es lo que es conocido como la “segunda navegación” de Sócrates (Fedón, 99c). Strauss lo resume así: “Socrates was the first philosopher who concerned himself chiefly or exclusively, not with the heavenly or divine things, but with the human things”; Strauss (TCaM, 13).  Es por ello que para lograr una real recuperación del reto del pensamiento político clásico se debe recurrir a la ya mencionada perspectiva que ve el debate antiguos-modernos como el conflicto fundamental para las aspiraciones de una verdadera filosofía política que tenga respuestas concretas, prudentes y sabias a nuestras crisis. (2) Sin embargo este retorno comprometido y serio al racionalismo de la filosofía política clásica tiene ya desde su comienzo diversas variantes interpretativas. Esto se puede ver claramente en la triple comprensión que se da de Sócrates por parte de Platón el filósofo dialéctico, por parte de Jenofonte el escritor militar y por parte de Aristófanes el comediante. La evidente tensión entre estas apropiaciones socráticas se ve claramente hoy en día en el contexto filosófico universitario en la medida en que Jenofonte no es considerado, como sí lo era en la antigüedad (por los romanos, por Maquiavelo, por Hobbes y por Shaftesbury), como un pensador digno de un estudio serio, profundo y continuado; sobretodo por la recuperación del valor de la retórica como lenguaje privilegiado de lo político. (3)

Ahora bien, la excepción a esta regla de exclusión silenciosa, es precisamente la propia tradición straussiana. Al recuperar la multiplicidad de lenguajes socráticos, y muy especialmente la obra de Jenofonte, la tradición straussiana gana una interpretación enriquecida de los clásicos, y en particular, de la obra aristotélica. El retorno recuperativo de la filosofía política clásica por parte de la tradición straussiana por lo tanto permite el planteamiento de preguntas olvidadas. Por ello a la base de esta interpretación surge la pregunta fundamental que el discurso filosófico moderno ha relegado al olvido, a saber, la pregunta misma de ¿por qué la filosofía? A la importancia de las preguntas heideggerianas tanto por el sentido del ser como por el “¿qué es la filosofía?”, se enfrenta una pregunta aún más fundamental y originaria en términos políticos. Es decir, el “qué es” de la filosofía sólo se puede comprender cabalmente una vez hayamos realizado una investigación prudente del “por qué” de la necesidad del filosofar dentro de la comunidad política. Leo Strauss ofrece cierta claridad acerca de esta pregunta que funda las posibilidades del saber filosófico una vez se ha liberado de su “amnesia” frente a la filosofía política clásica: “The philosophers, as well as other men who have become aware of the possibility of philosophy, are sooner or later driven to wonder, Why philosophy? Why does human life need philosophy? … To justify philosophy before the tribunal of the political community means to justify it in terms of the political community, that is to say, by means of a kind of argument which appeals, not to philosophers as such, but to citizens as such.” (mi énfasis) (4) Sin duda la academia, en gran medida, no ha escuchado este llamado. (more…)

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Review of:

Masters of Greek Thought: Plato, Socrates, and Aristotle

(Taught by Robert C. Bartlett, The Teaching Company)

We surely must be grateful to Professor Bartlett’s incisive reflections on the nature of Socratic political philosophy as representing a modern viable alternative to our political and philosophical self-understanding. This alternative takes its path upon a close determination of what the “Socratic revolution” ——-which moved Socrates towards a perspective closer to the self-understanding of the citizens themselves——- might mean. And it is surely extremely helpful to have a more public on-line presentation of the ideas developed by Professor Strauss and his students for those of us interested in their interpretation of Aristophanes, Xenophon (virtually forgotten in academia for very specific reasons), Socrates, Plato and Aristotle.

As an insider’s comment/joke, one could definitively say that this course —and going back to my mother tongue—– can be easily regarded as “el número uno”! The presentation is clear, concise, humorous and generally thought-provoking (particularly if one considers the accompanying guide as well). Professor Bartlett takes great pains to reconsider in each of his lectures the previous arguments and paths developed; and he usually ends his timely lectures with certain puzzles for the listener to continue exploring the problems revealed in the text themselves, rather than by providing a set doctrines (e.g., the “platonic doctrine of the ideas”) that could be just repeated endlessly. In this respect, the recovery of Plato’s work as a consisting of DIALOGUES with a specific audience in mind, with specific characters in play and under specific situations aids us IMMENSELY in trying to understand what at the start might be tedious, bad and irrelevant lines of argument. Something similar must be said for Bartlett’s interpretation of Aristotle’s “manner of writing”. Besides, he constantly provides examples taken from everyday life which may allow the listener to move from their simplicity to the depths of the questions addressed to us by the Classical Political Philosophy tradition. As a matter of fact and to go back to one of his favorite examples, I actually found a wallet on the street during the time I spent going through this course. I must confess the course immediately made me want to give the wallet back wholeheartedly as I had become more just, just by listening!

Of course, questions remain, and given the breadth of the course, important gaps also remain which just could not be filled (a serious one being the “jumping over” the virtue of moderation in the Nicomachean Ethics) . But perhaps the fundamental question for the course remains the Straussian interpretation which might be seen to try to “square the circle”. If ——-as we are pointed to again and again——- the Socratic revolution stems from a reconsideration of the political nature of our praxis and our reflections (particularly as regards the question of the divine and the search for a “scientific” explanation of the order of the universe as in the pre-Socratics), then this means that the political sphere is once again given its due dignity. That is to say, one cannot philosophize without encountering in dialogue the Ischomachus of our lives as Xenophon recounts arguing that it is in this very precise conversation that Socrates SAW the philosophical need for such a revolution. But this impulse to bring forth back the dignity of the political is not always easily set along the more fundamental axis of the arguments presented by the Straussians, namely, that even though the political has the aforementioned dignity, it truly remains FAR below the possibilities which the life of reflection, the life of philosophy, opens up to the citizen who starts to move towards a self-critical stance of such dignity-ridden (but perhaps self-enclosing) elements. In other words, one could ask whether to say that there is much dignity in ‘x’, but that really the dignity of ‘x’ is only visible once it sees beyond its confines, ends up throwing a massive question as to the real dignity of ‘x’ itself. Of course, this is much more evident in Plato’s Republic than in his LAWS given the metaphor of the cave and its constant allusion to the SHADOWS which make up our political reality. But this could also be seen to be true in Aristotle in the following way: though Aristotle indeed leaves behind such complex equations as the third wave of the Republic which identifies philosopher and ruler (see for example Book II of the Politics), still in Book X of the Nicomachean Ethics he apparently seems to run into the same difficulties of trying to “square the circle” by showing that the life dedicated to the moral virtues, life which has a certain dignity of its own, is truly only worthy of a very secondary notion of happiness. I believe this places a massive question as regards the fundamental argument of the course, namely, that it is the Socratic revolution —his “Second sailing”—– which makes possible the very work of Xenophon, Plato and Aristotle.

And also in a similar respect, the course fails to place its interpretation among other competing interpretations which seem to fundamentally disagree with the political nature of Socratic thought. Straussian interpretations are many a time “outside the academic norm” and perhaps this course does not do enough to emphasize this crucial differentiation. In this respect, one seems not to see much of Aristophanes’ humor amongst academics nowadays. In a similar light, one need ask why it is that so few “philosophical dialogues” are actually written to day by those who are considered the “philosophers” of our time. In other words, shouldn’t reading Plato move US to write dialogues as he did?

A final massive difficulty that is pointed to, worked upon and reworked endlessly by the always helpful and rhetorically talented professor Bartlett is the choice made by Socrates to actually drink the hemlock. Although Bartlett considerations of the Crito, the Phaedo and the Apology are absolutely enlightening and profound, one has the feeling that this foundational act which determines the very memory of Socrates has to be further developed by all readers on their own.

Finally as regards what one can only wish for; THE TEACHING COMPANY would do very well in asking Professor Barlett (or Professor Pangle) to provide us with a course which FOCUSES solely on THE LAWS of Plato and the NICOMACHEAN ETHICS of Aristotle. It is my belief that we are in much need of a more public defense of the arguments presented in THE LAWS as the basis for a critical questioning and defense of our liberal democracies. In terms of the NICOMACHEAN ETHICS (from the Straussian perspective) the public could have a better understanding of the diverse moral virtues and the inherent dilemmas they present, as well as a consideration of why Aristotle was moved to write 2 ETHICS rather than only one, if one includes the Eudemian Ethics as one should. Moreover, THE TEACHING COMPANY should consider translating some of its courses so as to reach a wider audience interested in these fundamental topics.

All in all, an absolutely impressive course for which we ought to be very grateful indeed.

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Reflections: Socrates and Xenophon, the philosophic and the political life

At the very least, this is clear. The most fundamental difference between Socrates and Xenophon might be dangerously summarized by saying that Socrates, who rarely felt the need to physically leave Athens, never wished to rule over anyone under any circumstances, while Xenophon —–his questioning and nowadays seldom read student—– did in fact wish to rule over many under varying circumstances (see Buzzetti).

Or, to put it much more nobly and perhaps more truthfully: it would be best to say that the once unknown and adventure-loving Xenophon —–who had come into direct contact with Socrates—– suddenly came to recognize far outside the boundaries of his native Athens not only the unavoidability of ruling among humans, but also and perhaps much more importantly, his absolutely unique capacity for such ruling when true crisis touched upon his life and those surrounding him. However, later in life he seems to have given up this politically engaged desire for the desire to recollect in writing both tension-ridden forms of life: on the one hand recovering the life of Socrates in his Memorabilia and the other  truly amazing shorter Socratic texts, and on the other hand recovering the circumstances of his rise to fame and glory as a commander in his autobiographical The Anabasis of Cyrus. In contrast, Socrates also never felt the desire to write, not of himself or others.

Agoristic philosophy ——as the foundation of political philosophy—– begins in wonder (thaumazein) at such striking complex connections and deep tensions between the life of politics and the life of philosophy. Its path is that of an understanding of the dynamics of virtue(s); its guide remains Aristotle.


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Appendixes

Xenophon only appears in direct conversation with Socrates in two short sections, one in his Memorabilia where he listens to Socrates’ views on kissing(!), the other in his The Anabasis of Cyrus where he recalls the conversation with Socrates with which he began his voyage. These astonishing sections read as follows:

Appendix 1: (Memorabilia I, 4; Bonnette translation)

“These were the sort of things he used to say with playfulness accompanied by seriousness.  On the other hand, he advised that one steadfastly refrain from sex with those who are beautiful. For he said that it is not easy when one touches these sorts to be moderate. In fact, after he perceived once that Critobulus the son of Crito had kissed the beautiful son of Alcibiades, he asked Xenophon in Critobulus’ presence”

“Tell me, Xenophon,” he said, “ didn’t you hold Critobulus to be one of the moderate rather than the rash human beings, and one of these with forethought rather than senseless and reckless?”

“Certainly,” said Xenophon.

“Well, hold now that he is hotheaded and heedless in the extreme. He would even make somersaults into daggers and leap into fire.”

“And what did you see him doing,” said Xenophon, “that you have formed such judgments about him?”

“Did he not dare to kiss the son of Alcibiades, who is most fair and in his bloom?” he said.

“But if that is the reckless deed,” said Xenophon,”in my opinion, I, too, would endure this risk.”

“You wretch!” said Socrates. “And what do you think you would suffer after kissing  someone so beautiful? Would you not immediately be a slave rather than free, spend a lot of harmful pleasures, be in great want of leisure for attending to anything noble and good, and be compelled to take seriously what even madman would not take seriously?”

“Heracles!” said Xenophon. “What terrible power you ascribe to a kiss.”

“And do you wonder at this?” said Socrates. “Don’t you know that poisonous spiders not even half an obol in size crush human beings with pain and drive them from their senses  merely by touching them in their mouths?”

“Yes, by Zeus!” said Xenophon, “For spiders inject something through their sting.”

“You fool!” said Socrates. “Do you think that when those who are beautiful kiss they don’t inject anything, just because you don’t see it? Don’t you know that this beast that they call beautiful in bloom is so much more terrible than spiders that, while spiders inject  something when they touch, it (even when it does not touch, but if one just looks at it) injects even from quite far away something of the sort to drive one mad? And perhaps ‘lovers’ are called ‘archers’ because those who are beautiful inflict wounds even from afar. But I counsel you, Xenophon, whenever you see someone beautiful, to flee without looking back .”

Appendix 2: (The Anabasis of Cyrus III, 1, 4; Ambler translation )

“In the army there was a certain Xenophon, an Athenian, who followed along even though he was neither a general nor a captain nor a soldier; but Proxenus, a guest-friend of his from long ago, had sent for him to come home. He promised that if he came, he would make him a friend of Cyrus, whom Proxenus himself had said he believed to be the better for himself than his fatherland was. So Xenophon, on reading his letter, took common counsel with Socrates the Athenian about the journey. And Socrates, suspecting that becoming a friend of Cyrus might bring an accusation from the city, because Cyrus had seemed eager in joining the Lacedaemonians in making war against the Athenians, advised Xenophon to go to Delphi and take common counsel with the god about the journey. Xenophon went and asked Apollo to which one of the gods he should sacrifice and pray in order to make the journey he had in mind in the noblest and best way and, after faring well, to return safely. And Apollo indicated to him the gods to whom he needed to sacrifice.

When he came back again, he told the oracular response to Socrates. On hearing it, Socrates blamed him because  he did not first ask whether it was more advisable for him  to make the journey or to remain, but he himself had judged that he was to go and then inquired how he might go in the noblest way. “However, since you did ask it in this way,” he said, “you must do all that the god bade.”

So after sacrificing to the ones the god had indicated, Xenophon sailed off.”

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Three biblical stories, two in the Old Testament ——specifically in Genesis—— and one in the New Testament, might aid us in trying to understand, however imperfectly and sketchily, the issue of brotherhood in the Bible. The first story is the well-known story of Cain and Abel; the second, the well-known story of Joseph; and finally, the third story, the well-known story of the parable by Jesus of the Lost Son. All three will be presented solely by way of puzzles and questions. In this regard we ask hesitantly: Could it be that the possibility of friendship according to the Bible is very limited in the case of brothers for some very precise reasons? But, why would this be so? Don’t citizen parents actually put all their conjoined strengths into bringing up their children to be good to each other, to love each other?

Story 1: Cain and Abel, Genesis 4

Why provide a second fall immediately following the most foundational of all falls by Adam and Eve? Why indeed are the primary models of brotherhood Cain and Abel? Why is the story so astonishingly short? Why did God not accept Cain’s offering even if it was the first? Why is Cain so wronged and upset by God’s not accepting his gift? Is it because he is the first born? But, what is it that the first born feels entitled to that feeds such angry responses? Moreover, why does he seek to kill his brother? Why not simply punch him a few times? What is the nature of such blinding rage? What is the fundamental importance of Abel’s being a “keeper of flocks” as against Cain’s being “a tiller of the ground”? Is there something about nomadic lives that is more akin to the nature of the divine? Would it be its greater independence from the earthly? Or is it that nomads are much more in need of the presence of the divine as they move around a “homeless” world? Does it have to do with the fact the Abel deals with animals and their care? But then again, why can’t Cain see that God himself actually speaks to him in the story and not to Abel? In the same vein, why is the story about Cain and much less about Abel? Why does it matter so little to know what Abel’s life was like? And furthermore, why does Cain lie to make things even worse? But if Cain knows he is a sinner, and the worst at that as a fratricidal kind of being, why continue to punish Cain with a permanent eternal sign that will mark him permanently to all on the earth? Why punish him beyond his own consciousness of his knowing he has done a terrible, spiritually self-destructive, deed? (See Appendix 1 below.) And dramatically for political philosophy as defended by Athens, why is Cain the one who actually founds the first city of the Bible, the city of Enoch? Why is the Bible so pessimistic about the political from the very start?

Story 2: Joseph, Genesis 37-50

Why is the love of Joseph by his father so connected to the varicolored tunic he gave him in his old age? Does this shed light into the relation of the beautiful and the divine? Why is it also so intimately connected to his actually accompanying his father in old age as the younger one? Does this shed some light into the commandment regarding the honoring of our parents? Is honoring our parents primarily being able to accompany and prepare them for death? But if so, wouldn’t believers also learn much from Socrates for whom philosophy is a constant preparation for dying? And, why does the Bible see it fit to show that now it is not only one brother, but many, who hate Joseph? Moreover, why does Joseph so naively express such complex dreams to his brothers? Didn’t he surmise he would be in trouble? Must faith be necessarily naive (see Ricoeur’s Freud and Philosophy)? And besides, what is so special about dreams and our connection to the divine in the Bible? How to contrast these presence with Aristotle’s own consideration in his prudential text on dreams? And his brothers, why can’t they appreciate Joseph’s honesty? Would they have rather Joseph not tell them anything at all, that is, not prepare them at all for God’s presence? And very polemically, does Joseph’s being selected by God shed some light on our modern democratic families? And still, why in this occasion do the brothers decide only to fake Joseph’s death? Is it because they are thinking of their father with a certain sympathy? Surely not, for their father would still think Joseph to be dead, wouldn’t he? What is so particularly appalling about Judah’s idea of selling and wreaking profit from his brother’s enslavement? What is it about our desire to have and posses material things than makes Judah lead his own family into utter dislike by God? His future generations, the creations of his creations, are somehow condemned by his avarice, aren’t they? Is this part of the basis as well for Aquinas’ powerful condemnation of usury which speaks little to us nowadays? And what precisely could anger brothers and sisters about one of their own actually being chosen by God? Why wouldn’t this be an occasion for joy? What are brothers particularly so much in competition about? Could it be that at the bottom of their hearts lies a desire to become god-like and to be recognized as such by their kin? Wouldn’t this be what Aristophanes tells us as well in the Symposium? And moving closer to our times, why did Thomas Mann rewrite the story of Joseph in so many pages in our modern context of war? And very importantly, perhaps most importantly, how to understand Joseph’s final words to his fearing brothers:

“But Joseph said to them, “do not be afraid, for am I in God’s place? And as for you, you meant evil against me, but God meant it for good in order to bring about this present result, to preserve many people alive. So therefore do not be afraid: I will provide for you and your little ones” So he comforted them and spoke kindly to them” (Genesis, 50: 20-21)

What exactly does Joseph mean by saying that God “meant it for good”? Was Joseph at all times aware that things would end so? Wouldn’t one apply the words “all ‘s well that ends well “ here? Is this last question simply a reflection of one’s pride? And why does he not suffer as much as Job does? What is it about Joseph that gives him such strength?

Story 3: Parable of the Lost Son, Luke 15: 11-32

Why does this parable follow the parables of the lost sheep and the lost coin? Why are they so ordered? Why one must speak of losing oneself in parables? Is it because we are moving in a particular direction? And crucially, why does the lost son wish to become a migrant risking his own life? Is it because he is more like Abel than Cain, the tiller of the land? Why wish to get lost? For surely, we know what is at stake in leaving our families, don’t we? And once again, why does the brother get so angry? Why is the love of his own recognition so important to him if he has lived right beside his father all his life? Wasn’t that enough? What more could he be looking for? And again, who would be envious of one’s brother’s having suffered and despaired in solitude? Which of these two brothers would actually be better prepared to honor his parents, as is our duty according to the 10 Commandments? Would the adequate honoring of one’s parents be a compromise between the two? But wouldn’t such a compromise involve a certain strange kind of anger that is not to be seen in the noblest of honorings and loves?

__________________
Appendix 1:

For a much more developed puzzling presentation of the Bible, one can turn to Professor Thomas Pangle’s difficult, yet engaging and puzzle-creating, Political Philosophy and the God of Abraham where he touches on the life of Abraham and the sacrifice of his son Isaac. In particular, see pages 93-96 ‘The Puzzle of Divine Foreknowledge” which are three complete pages made up only of puzzles and questions. Or later on, in the chapter on “Guilt and Punishment” where Pangle writes in crucial relation to the above questions:

“But this last formulation brings close to us a final troubling question. However we are to understand criminal responsibility, what are the intelligible grounds for the overwhelming conviction that the guilty deserve to suffer for what they have done; and what are the intelligible grounds for the concomitant hope that they –that even we ourselves— will suffer the punishment that they, and we, deserve. For guilt betokens sin or vice; and sin or vice are either genuinely and severely harmful, in the most important respect, to the very soul of the criminal; or else they betoken an alienation of the criminal from the source of meaning for him as a being designed to devotion. Why, then, is it appropriate, why is it sensible, that such a crippled and or alienated being receive, in addition to and as a consequence of his corruption or alienation, further harm or suffering. Why is it so terribly important for us that to the suffering and mutilation of the spirit that is entailed in being unjust there be added extrinsic bad consequences for the perpetrator?” (PPGA, p. 101)

Pangle keeps alive, in critical contrast to modernity, the enriching yet tense debate between Athens and Jerusalem.

Appendix 2:

For a striking story of how Socrates views, at least minimally, the relation between brothers see Memorabilia 2.3 where one finds an astonishing conversation with Chaerecrates who has fought with his older brother. To begin to even try to understand this story, one would have to reconsider what Socrates considered to be a philosophical life and its relation to the citizens who inhabit the agora. Without such a perspective, the story seems merely to involve a strange naivety. And we know for certain that Xenophon, a general, was anything but naive.

But perhaps the true nature of brotherhood is best exemplified in The Republic where Glaucon and Adeimantus —both Plato’s brothers— encounter Socrates dialogically on the question of justice and reveal dramatically to the reader their unique and differing characteristics as regards the political and philosophical life. Perhaps it is by looking at the question of justice that at least some healthier brotherhoods may come about.

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One of the exciting and relevant reasons for turning to the Greeks is that in the work of some Greek philosophers —-specially that of Plato—- one finds what are perhaps the best, the deepest, and the most lively discussions on the tensions between philosophy and art as conflicting ways of life. In dialogues such as the Symposium, the debate reaches a real climax. There Socrates and Aristophanes battle it out. The basis for their discrepancy in part revolves around the nature of desire and the possibility of human self-sufficiency and happiness.

This is not to say that in modern times one does not find authors who see the importance of touching on such a debate. One indeed finds it particularly in the work of Nietzsche who moves permanently between both camps. Nietzsche the philosopher, Nietzsche the artist; as if unable to decide, as if as moderns we can no longer decide. He seems, in a sense, weary of both activates as we have come to understand them. But of course, Nietzsche touches on the debate in a very different way than Plato. In contrast to Nietzsche’s penetrating psychological fragments on the artist —-arrived at in the solitude of an introspective stance—– the beautifully artistic and dramatic form of a Platonic work such as the Symposium lies in that the dialogue makes the discussion almost alive and politically situated.

Moreover, Nietzsche stands as the primary source of a radical critique which has as its direct aim Socrates and his tradition. This is evident early on in his The Birth of Tragedy in which Socratic rationalism is set up against Greek tragedy which, by the end of the book, is assured its place as the unquestionable winner of the debate. Tragedy reaches the summit of expressive art. However, in tragedy self-sufficiency remains an impossibility because the tragic is by nature akin to the incomplete, to the flawed. Socrates, in contrast, teaches the possibility of self-sufficiency as the highest form of life.

But before pointing out one of the fundamental tensions between Platonic philosophy and art, a brief contextualization. Postmodernism, which began in architecture and therefore is closely linked to art, is the name of a critical stance towards modernity. It is set dead against the modern notion of enlightened reason which seeks to bring everything to the presence of a unequivocal and unimpaired lighting. Some of its proponents go so far as to interpret the work of authors such as Heidegger and Nietzsche in a way that widens the challenge not only to modernity, but rather to the whole of the Western tradition. In this respect they see crucial failings in the very origins of the Western tradition; a tradition whose foundations many find in the works of Plato, specially in his Republic. They emphasize, in this respect, his alleged desire to banish poetry and seek a rational understanding of the whole once we are liberated from the cave.

As the years go by, such an interpretation of Platonic philosophy seems to me less legitimate, less plausible and less interesting. At least three powerful reasons for this position stand out clearly to me now. On the one hand, there is here a confusion between modern reason and the ancient ideal of rationality. Secondly, such proposals are quite blind to the artistic merit of the dramatic form of Platonic philosophy itself which reaches us in the form of carefully, artistically created, dialogues. And finally, such overwhelming critiques fail to recognize the fact that it is Socrates who first tries to understand the political nature of us as human beings living in society. For some, specially in the Straussian tradition, Socrates’ concern is in the first instance with human affairs, not transcendental ideas.

What is the relevance of this debate to contemporary artists? HUGE. On the one hand, they may benefit from reading authors such as Michel Foucault who takes up seriously Nietzsche’s discussions on art. For him the only means of subverting this all-encompassing rationalistic project is life made artistic. The aesthetic configuration of oneself is the sole means of protest in an increasingly alienating world of micropowers. Foucault’s work adamantly defends the possibility of what he calls an “aesthetic of existence”. As he puts it: “the principle work of art one has to take care of , the main area to which one has to apply aesthetic values is oneself, one’s life, one’s existence. “ (p. 245; see also Nietzsche TGS #290) If reason no longer can guide our lives, art must lead the way. But on the other hand, contemporary artists might become more aware of the type of art which they are led to produce in this attempt to seek countermeasures by contrasting this stance with Socratic views of art and, in general, the role of desire in human affairs.

Let me just say briefly that, as far as I can see, the uniting thread which both camps address differently is the topic of “desire”. For the artist desire is the beginning and the end. The beginning for it is that which grants motion to the work, the end because the work expresses desire in a sublimated fashion. The Socratic philosopher, in particular, also begins with desire, but his/her erotic desire reaches out to another very different end. The end is erotic self-sufficiency. Among many other things, Socrates continuously asks whether a desire that has no limit to its gratification can in the end make a person fully human. As against Nietzsche, and the postmodernist defense of tragedy, Socrates defends the possibility of a certain happiness in philosophical excellence.

Xenophon –—who is now little read— captures dramatically this sense of Socratic self-sufficiency in a passage in which Socrates, as is frequently the case, defends himself against an attack which he does not initiate. This dialogical interchange between Antiphon and Socrates might in a sense make us more aware of the nature of desire and its puzzling presence in our human lives. Xenophon reports this conversation went like this:

“It is worthwhile in this regard also not to omit his conversations that he had with Antiphon the sophist. For Antiphon, wishing to draw his close companions away from him, once approached Socrates when they were present and said the following.

“Socrates, I, for my part, thought that those who philosophize should become happier. But you, in my opinion, have reaped from philosophy just the opposite. You live, at any rate, a way of life such as no slave would abide from a master. You eat and drink the poorest food and drink, you wear a cloak that is not only poor but the same one during summer and winter, and you are continuously without shoes or tunic.”

“Moreover, you do not take in wealth —-a thing that both delights in its acquisition and makes those who possess it live more freely and pleasantly. If, accordingly, you too dispose your companions as do teachers of other work as well, who show their students to be their imitators, you should hold that you are a teacher of unhappiness.”  And Socrates replied to this:

“In my opinion, Antiphon, you have supposed me to live so painfully that I am persuaded you would rather die than choose to live as I do. Come now, let us examine what you have perceived to be hard in my life.

“ Is it that those who accept money are under necessity to produce what they are paid for, but that by not receiving it I am in no necessity to converse with whomever I do not wish? Or do you deem my way of life poor in the belief that  I eat less healthy things than you, or things that provide less strength? Or is it that my regimen  is harder to procure than yours because it is more rare and costly? Or that what you furnish yourself is more pleasant for you than what I furnish myself is for me? Don’t you know that the one who eats most pleasantly has the least need of relish, and the one who drinks most pleasantly least desires drink that is not at hand?

“Regarding cloaks, you know that those who change them do so for reasons of cold and heat , and that they put on shoes so that they will not be prevented from walking due to what pains their feet. Now then, have you ever perceived me more than another remaining inside because of the cold, fighting with someone over a spot in the shade because of the heat or not going wherever I wish because of pain in my feet?

Don’t you know that when those bodies are naturally weakest practice they become  stronger at what they practice and more easily bear it than the strongest who does not practice? And don’t you think that, by always practices patient endurance of the things that  chance to befall my body, I bear all things more easily  than you who does not practice?

“Do you think that anything is more responsible for my not being enslaved to stomach or sleep or lust  than that I have other things more pleasant than these that delight not only in their use but also by providing hopes that they will benefit always? Moreover, this at any rate you know; that those who do not think that they are doing well do not experience delight, but those who believe that they are nobly progressing, either in farming or seafaring or whatever else they chance to be working at, are delighted on the grounds that they are doing well.

Then, do you think that the pleasure from all these things  is as great as that from believing that one is becoming better and acquiring better friends? I, for my part,  spend my life holding these things. And if indeed it should be necessary to benefit friends or city, is there more leisure to attend to them in my present way of life or in the one that you deem blessed? And who would go on a campaign more easily, a person unable to live without a costly way of life, or one for whom what is at hand is enough? And who would surrender more quickly to a siege, the person needing what is hardest to find, or the one who has enough when he makes use of what is easiest to abstain?

“You seem, Antiphon, like one who thinks that happiness is luxury and extravagance. But I, for my part, hold that to need nothing is divine (theios), that to need as little as possible is nearest to the divine, and what is divine is best, and that what is nearest to the divine is nearest to what is best.” (Memorabilia I 6, Xenophon, Translated by Amy L. Bonnette; Ithaca: Cornell University Press, 1994)

Interpreting these words is no easy matter. But I truly believe Van Gogh also sought a similar type of self-sufficiency as well. His poverty is very much akin to Socrates’. But what Van Gogh affirmed through his own decisions and desiring activity was quite other than what Socrates held to be the highest good available to humans. One could conclude by saying: seeking to avoid the tension between philosophy and art might leave each of the parties safer to themselves, but safety is not primarily what philosophers or artists are all about.

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